2023年奥艺大会艺术交流先锋艺术家——余德蛟雕塑作品展 2023 AoYI Art Exchange Pioneer artist - Yu Dejiao sculpture exhibition
2023年奥艺大会艺术交流先锋艺术家——余德蛟雕塑作品展
2023 AoYI Art Exchange Pioneer artist - Yu Dejiao sculpture exhibition
余德蛟，字兴德，男，公元1979年生于中国河南省南阳市邓县，当代职业雕塑家，油画家。余德蛟是一位实践型雕塑艺术家和开拓者，其风格独到，擅长用雕塑的语言来表达生命演化、思想道德、精神文明和民族情结。
多年以来，他一直将自己的思想，当代社会环境，未来科技发展，以雕塑的和油画的语言来铸熔世界东方的文化。其作品不仅是美感十足，其内容的表达也经常让观者驻足深思，作品无时无刻诠释着当代艺术的价值和意义，因此被海内外众多机构和私人收藏。自创作以来，其作品坚持原创，其作品思想的作为承载，作品要时代特点，要将雕塑事业作为自己的使命。也因此余德蛟一直坚持自己的四项创作原则便是原创性、思想性、时代性和使命性。
余德蛟常说：“真正的艺术，是一种精神和灵魂的表征！是思想进步的图腾！”优秀的艺术品，就是被拥有高雅情趣和高尚人格魅力的人才能淋漓尽致的塑造出来的，作品彰显的是道德、文明、自由、智慧、正义等积极向上内容。我们只有具备一定的审美能力才能理解艺术的价值与意义。历史长河中每个朝代能完整被记录当时辉煌的往往是一些美感十足的立体型器物。这不仅仅代表当时是工艺技术更是记录历史发展进程的符号。
历史告诉我们，每个时代的文明正盛时也恰恰是艺术品鼎盛的时期，因为艺术代表着文明的进步和时代的发展。是促进文明发展和名族和谐的催化剂。因为雕塑是历史再现的载体，是当下文明的记录本，是未来发展的投影仪。余德蛟常常把这些使命牢记于心，因此他的雕塑作品往往会直击心灵，通过丰富的想象力来表达作品，把的思绪带向不同的维度。他的作品不断地唤醒人性的复苏，强调着人文关怀，追求着人与自然的和谐共生，追求着世间最纯粹的美。
Yu Dejiao, styled Xingde, male, born in 1979 in Deng County, Nanyang City, Henan Province, China, is a contemporary professional sculptor and oil painter. Yu Dejiao is a practical sculpture artist and pioneer. His style is unique and he is good at expressing life evolution,ideology and morality, spiritual civilization and national complex in the language of sculpture.
Over the years, he has been casting his own thoughts, contemporary social environment, future scientific and technological development, in the language of sculpture and oil painting to melt the Eastern culture of the world. His works are not only full of beauty, but also the expression of their content often makes viewers stop and ponder. His works interpret the value and significance of contemporary art all the time, so they are collected by many institutions and private collections at home and abroad. Since its creation, its works adhere to the original, the thought of its works as the bearer, the work should be the characteristics of The Times, and the sculpture cause should be their mission. Therefore, Yu Dejiao always adheres to his four creative principles: originality, thoughtfulness, epochal nature and mission.
Yu Dejiao often said: "True art, is a kind of spirit and soul representation!" It is a totem of ideological progress!" Excellent works of art can be vividly shaped by people with elegant taste and noble personality charm. The works highlight positive content such as morality, civilization, freedom, wisdom and justice. Only with certain aesthetic ability can we understand the value and significance of art. In the long history of each dynasty, the brilliance that can be completely recorded at that time is often a number of aesthetic standing objects. This not only represents the craft technology at that time but also records the history of the development of the symbol.
History tells us that the flourishing of civilization in each era is also the peak period of art, because art represents the progress of civilization and the development of The Times. It is a catalyst to promote civilization development and national harmony. Because sculpture is a carrier of historical representation, a record of current civilization, and a projector for future development. Yu Dejiao always keeps these missions in mind, so his sculptures often strike directly at the heart, expressing the work through rich imagination and taking the mind to different dimensions. His works constantly awaken the recovery of humanity, emphasize humanistic care, pursue the harmonious coexistence between man and nature, and pursue the purest beauty in the world.
《沟通》
作品通过三只手掌将食指共同指向一个中心得形象，一方面来讲我们在多角色在同创作一件事物时要达成一致，要做到共同来平衡事物，让事物能够顺利的进行。另一方面金色带毛得手代表过去人类与自然搏斗的景象，肉色的手代表当下，银色的手代表未来与科技，三个不同时代的碰撞需要有平衡，当下的发展要结合自然与未来科技，要兼容我们每个阶段的生存空间不可顾此失彼。
Communication
The work points the index fingers of the three hands together to a central image. On the one hand, we need to reach an agreement when creating a thing with multiple characters, and we need to balance things together so that things can proceed smoothly. On the other hand, the golden hand with hair represents the scene of the struggle between human beings and nature in the past, the flesh-colored hand represents the present, the silver hand represents the future and science and technology, the collision of three different times needs to be balanced, the current development should be combined with nature and future science and technology, to be compatible with our living space at each stage can not be ignored.
《溯源》
本作品是通过冰雪融化形成三滴水错落有致滴入水中激起一圈圈涟漪的形象，水是我们的生命之源，任何生命离不开淡水的滋养，我们的生命之水来源于冰川融化，人类和动植物的生存皆来自于淡水。作者通过这个作品告诉我们大自然的淡水资源是有限的，呼吁我们要保护淡水资源造福子孙后代，因为这不仅仅是保护淡水更是对生命多样性的保护，对生命根本的溯源。
Back to the Source
This work is based on the image of three drops of water falling into the water to create ripples. Water is the source of our life, and any life cannot live without the nourishment of fresh water. The water of our life comes from the melting of glaciers, and the survival of human beings, animals and plants comes from fresh water. Through this work, the author tells us that the fresh water resources of nature are limited, and appeals to us to protect fresh water resources for the benefit of future generations, because this is not only to protect fresh water, but also to protect the diversity of life, and trace the fundamental source of life.
《出卖地球》
人类有多重信仰，当下人类有多种宗教信仰，有人对艺术有信仰，有人对科技有信仰。对科技有信仰的人不断提升人类力量的高强，甚至不惜未来地球文明，人类文明寄托于AI技术上，甚至不惜把人类的文明地球的命运交于AI。一个身披斗篷不愿真面目示人的形象，把地球献给“硅基生命”。AI人高高在上趾高气扬蔑视着信徒冷酷的。斗篷下的信徒卑躬屈膝的将AI视为自己的主人并赌上地球的命运。“当AI当得上地球主人那一天，人类将会看到更高维度生命的出现。”
Selling the Earth
Human beings have multiple beliefs, currently human beings have multiple religious beliefs, some people have faith in art, some people have faith in technology. People who have faith in science and technology continue to enhance the strength of human power, even at the expense of future Earth civilization, human civilization depends on AI technology, and even at the expense of handing the fate of human civilization and earth to AI. A cloaked figure who doesn't want to show his face dedicates Earth to "silicon-based life." AI people are high and proud and disdainful of the believers cold. The believers under the cloak grovel to see AI as their master and gamble the fate of the planet. "When AI becomes the master of Earth, humanity will see the emergence of higher dimensional life."
《禁果》
作品主要通过一条碧绿色的带着面具的蛇尾巴高悬着一颗鲜艳的果子。这源自亚当和夏娃故事里蛇诱惑夏娃吃下禁果的形象，蛇代表着别有用心之人带着面具，面具代表着有伪善的演技的假面孔，红色果子代表具有充满诱惑性的危险事物，艺术家想告诉我们当下社会中我们身边往往隐藏着带有蛇蝎心肠或者有极强目的性的人，艺术家主要通过这个作品不断提醒我们害人之心不可有，防人之心不可无。
Forbidden Fruit
The work is mainly through a turquoise masked snake tail hanging a bright fruit. This comes from the image of the snake enticing Eve to eat the forbidden fruit in the story of Adam and Eve. The snake represents a person with ulterior motives wearing a mask, while the mask represents a false face with hypocrisy and acting ability, and the red fruit represents a dangerous thing full of seduction. The artist wants to tell us that in the current society, there are often people with serpents or strong intentions hidden around us. Mainly through this work, the artist constantly reminds us that the heart of harm must not exist, and the heart of defense must not exist.
《人间》
作品用一件头顶天使，脚下又被骷髅抱着双脚的形象，这件作品主要表达人要活在当下，在当下的生活中我们要保持积极向上的态度，一旦堕落我们将会堕入无尽的深渊与恶魔为伍。只有积极向上，每天向着光的方向，以一种美好的态度去展望未来，只有这样天使才会欢迎你才会时刻庇佑着你。
This Earth
The work uses an image of an angel on the head and a skeleton holding the feet at the foot. This work mainly expresses that people should live in the present and maintain a positive attitude in the current life. Once we fall, we will fall into the endless abyss and associate with the devil. Only by being positive, moving in the direction of the light every day, and looking forward to the future with a good attitude, can the angels welcome you and bless you at all times.
《三姐妹》
作品通过亚欧非三个不同肤色的女子手挽手心连心亲如姐妹的形象，也代表着当代人类虽然有不同的文明不同的肤色但是我是具有共同的人类起源历史，人类不论是什么种族当亲如一家，像姐妹一样无话不谈，相互帮助共同发展。作者通过这件作品告诉我们，各种肤色的人皆是地球村的一员，我们当平等相处，和平共存。
Three Sisters
Through the image of three women of different skin colors from Asia, Europe and Africa, holding hands and hugging each other like sisters, the work also represents that although contemporary human beings have different civilizations and different skin colors, they share a common history of human origin. No matter what race they are, human beings should be like a family, talk about everything like sisters, and help each other for common development. Through this work, the author tells us that people of all colors are members of the global village, and we should live together as equals and peacefully.
《曙光》
作品是地球上不同肤色的人站在一起的样子，不同肤色的人种又从幼至老各个年龄层的人都有不同的动作，但所有人却目光一致的看向一个地方，那是希望的地方，是和平的向往。地球所有种族本事一家人，我们共同维持着地球的生机。
Dawn
The work shows people of different skin colors standing together on the earth, and people of different skin colors from young to old have different movements, but all of them look at one place with the same eyes, which is the place of hope and the yearning for peace. All races on Earth are one, and together we keep the planet alive.
《物演生相之二》
作品从形象像一个鸟，这件作品代表在大的时间尺度下地球生物的演化过程，在从个人角度来看，我们需要在自己心目中要有种下一个心灵的种子，这颗种子生根发芽最终成长为我们想要成为的样子。
The Two Forms of Life
From the image of a bird, this work represents the evolution of life on earth on a large time scale. From the perspective of individuals, we need to have the seeds of the next soul in our minds, and this seed will take root and eventually grow into what we want to be.
《烛魂》
作品主要是一个蜡烛的形象，蜡烛的烛炎里面有个女子的形象，通过不锈钢的蜡烛和鲜红的舞动一般跳跃的烛炎结合，塑造出这种静动结合且颜色冲击感极强的作品。通过这个作品作者想告诉我们要向蜡烛一样点燃自己，把自己的“光”和“热”舞动起来，蜡烛的价值在于奉献自己的光和热，人也一样，只有把自己的光和热发挥出来，热情向上的熊熊燃烧起来自己的力量、智慧、勤奋等才能让自己的价值得到最大的发挥。
Candlestick
The work is mainly the image of a candle, the candle candle inside the image of a woman, through the combination of stainless steel candle and bright red dancing and jumping candle, create this static and dynamic combination and strong color impact of the work. Through this work, the author wants to tell us to light ourselves like a candle and dance up our own "light" and "heat". The value of a candle lies in the dedication of our own light and heat, and people are the same. Only by giving full play to our own light and heat and burning up our own strength, wisdom, diligence and so on can we maximize our own value.
《替代》
未来如果AI替代了人类，我们的生活将面临巨大变革。从日常事务到工作岗位，许多任务都可能被智能机器完成。然而，虽然AI可以提供便利和高效性，但它无法完全取代人类情感。对于小孩来说，情感的发展和成长需要家庭、朋友和教育者的关怀与支持，这是AI无法提供的。
情感的表达和理解是人类独有的特质，它涉及到爱、喜悦、忧伤和共情等复杂情绪。这些情感经历和互动是塑造个体身心健康的重要部分。因此，尽管AI可能在某些方面取得突破，但它无法取代人类之间真实的情感交流和人际关系的建立。
未来的小孩仍然需要与真实的人类互动，与他们一起分享快乐、面对挫折，并通过情感的交流来提升自我认知和社交技能。在这个过程中，AI可以作为一个辅助工具，帮助提供信息和教育资源，但它无法替代人类情感的温暖和理解。
因此，无论AI如何进步，尊重和培养人类情感将永远是重要的，它对于小孩的发展和幸福至关重要。
Substitution
In the future, if AI replaces humans, our lives will face great changes. From everyday tasks to the workplace, many tasks are likely to be performed by intelligent machines. However, while AI can provide convenience and efficiency, it cannot completely replace human emotion. For children, emotional development and growth requires the care and support of family, friends and educators, which AI cannot provide.
The expression and understanding of emotions is a uniquely human trait that involves complex emotions such as love, joy, sadness and empathy. These emotional experiences and interactions are an important part of shaping an individual's physical and mental health. So while AI may make breakthroughs in some ways, it can't replace real emotional communication and relationship-building between humans.
Children of the future will still need to interact with real human beings with whom they can share happiness, face frustration, and improve their self-awareness and social skills through emotional communication. In this process, AI can serve as an adjunctive tool to help provide information and educational resources, but it cannot substitute for the warmth and understanding of human emotions.
Therefore, no matter how AI advances, it will always be important to respect and nurture human emotions, which are essential for the development and well-being of children.